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۳۲ analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
۱۶ analog XLR outputs
۳۴ x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
۱ expansion slot for NY64-D audio interface card
۳۲ + ۱ (Master)
۴۸ (۴۰ mono + 2 stereo + 2 return)
۲۰ (۸ mono + 6 stereo)
INPUT CHANNEL FUNCTIONS
۸ DCA Groups
۳۲ mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)
۸ Effects + 10 GEQ
۳۴×۳۴ USB Audio Interface, 2-track recording via USB Storage Device
SAMPLING FREQUENCY RATE
Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz
۱۰۰ mm motorized, Resolution = 10-bit, +10 dB to –۱۳۸ dB, –∞ dB all faders
TOTAL HARMONIC DISTORTION
Less than 0.05% 20 Hz–۲۰ kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –۱۸ dB/octave filter@80 kHz)
+۰٫۵, –۱٫۵ dB 20 Hz–۲۰ kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT
۱۱۰ dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.
HUM & NOISE LEVEL
EQUIVALENT INPUT NOISE
–۱۲۸ dBu typ., Input Gain=Max. (Measured with an A-Weight filter)
RESIDUAL OUTPUT NOISE
–۸۵ dBu, ST master off (Measured with an A-Weight filter)
–۱۰۰ dB (Measured with a –۳۰ dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.
۱۰۰–۲۴۰ V 50/60 Hz
۸۶۶ mm (34.1in)
۲۲۵ mm (8.9in)
۵۹۹ mm (23.6in)
۲۰٫۰ kg (44.1lb)
Quick Guide, Power Cord, CUBASE AI download information
Expansion Card, Foot Switch (FC5)
Operating temperature range: 0–۴۰ °C, Storage temperature range: -20–۶۰ °C
Analog input characteristics
FOR USE WITH
MAX. BEFORE CLIP
or 600Ω Lines
Combo Jack (XLR-3-31 type *2
or TRS phone *3)
ST IN 1,2
RCA Pin Jack
*۱٫ Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are at maximum position.)
*۲٫ ۱: GND, 2: HOT, 3: COLD
*۳٫ Tip: HOT, Ring: COLD, Sleeve: GND
*In these specifications, 0dBu = 0.775Vrms.
*+۴۸V DC (phantom power) can be supplied to INPUT XLR type connectors via each individual software controlled switch.
Analog output characteristics
FOR USE WITH
MAX. BEFORE CLIP
OMNI OUT 1-16
“+۲۴dBu” position (default)
+۴dBu (1.23 V)
+۲۴dBu (12.3 V)
XLR-3-32 type *1
Stereo Phone Jack (TRS) *2
*۱٫۱: GND,2: HOT, 3: COLD
*۲ Tip: LEFT, Ring: RIGHT, Sleeve: GND
*۳ The position of the level control is lowered by 16dB from the maximum.
*In these specifications, 0dBu = 0.775Vrms.
*All output DA converters are 24bit, 128times oversampling.
Digital input/output specifications
USB (TO HOST)
۳۴ch input / 34ch output, PCM
USB (B type)
Playback: MP3 or WAV file data / Record: WAV file data
MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetricalVoicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
۲ (FX) are assiged to the two effects devices;
۲ (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
۲ (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips. MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus. Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.
F01U138112 CMS 1000-3
CMS 1000-3, 100-240V, 6 Mic/Line + 4 Mic/Stereo Line Channels, 6 x AUX, Dual 24 bit Stereo Effects, USB-Audio Interface
Power Consumption (without lamp / with lamp)
۴۵ W / 50 W
Dimensions (W x H x D, without lid), mm
۵۱۰٫۵ x 155 x 498.5 Rack-mount: 483.0 x 135.0 x 443.7